Sergio Sansosti Actor · New media artist

Sergio Sansosti is an actor trained at the Facultad de Arte of the Universidad Nacional del Centro (UNICEN), Tandil, and a Systems Engineer graduated from the same university, the background with which he builds his own interactive work. He also trained at the Central School of Speech and Drama in London, and undertook postgraduate studies in Object Theatre, Interactivity and New Media at the Universidad Nacional de las Artes (UNA), Buenos Aires. In 2018 he completed the Diplomatura en Narrativas Transmedia y Tecnologías de la Interactividad at the Facultad de Arte, UNICEN.

He has taken acting seminars with Ricardo Bartís, playwriting with Lautaro Vilo and Ariel Farace, and Object Theatre with Ana Alvarado and Carolina Ruy. Between 2013 and 2015 he taught in the Stage Technologies Laboratory course (Directing programme, UNA).

In 2001 he played Eva in the Argentine premiere of Copi's Eva Perón. In 2014 he performed in Muestra Aleph, directed by Mauricio Kartun. He lived in England for several years, performing in shows including David Ives's Variations on the Death of Trotsky and Small Contractions by Gabriela González and Sergio Sansosti.

Film & Advertising

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  Ceres Tolvas

  Advertising film · 2026

  Farmer (productor agropecuario)

  • Ceres Tolvas — marketing & communications team
  • Production: Bruno Zarlenga, Santiago Saracca

  Watch on Instagram →

Theatre

• El Montaplatos (The Dumb Waiter) Harold Pinter 2025 — Club de Teatro, Tandil. Now on stage.
• Muestra Aleph 2014 — directed by Mauricio Kartun
• Acá estoy chico cuando era yo 2011 — written and performed by the ensemble
• Huatehr Ensemble creation — Tandil
• Y todo lo demás son fotos Ensemble creation — Tandil
• Eva Perón Copi 2001 — Argentine premiere, in the role of Eva
• Variations on the Death of Trotsky David Ives England
• Small Contractions Gabriela González & Sergio Sansosti England
• La Mano, La Carne, La Saliva Based on texts by Rodrigo García
• La Chunga Mario Vargas Llosa
• Woyzeck Georg Büchner
• Muestra Obscena Collective creation directed by Mauricio Kartun
• Máquina Hamlet (Hamletmachine) Heiner Müller
• El Oso (The Bear) Anton Chekhov
• Retorno al Hogar (The Homecoming) Harold Pinter

Installations & Interactive Work

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  Dar la cara

  Interactive installation · 2018

  "En Tensión | Arte + Tecnología" — Facultad de Arte, UNICEN, Tandil, 13–14 December 2018

  Co-author and developer

  Visitors enter a dark room where a projected particle system reacts to their presence, read by a hacked webcam. The piece is tied to a donation: a company pledges a sum to an NGO, and that sum shrinks every time the audience puts the installation to "bad use". Company and NGO are fictional, with their own websites and social accounts, and a companion page shows the consequences in real time.

  • Group separadoSeEscribeTodoJunto: Rodrigo Cobo, Lara Giarrocco, Francisco Mendes Moas, Sergio Sansosti, Sofía Zamora

  Photos, video and credits →

• Proyecto Calvario

  Site-specific sound walk · 2017

  Parque El Calvario, Tandil — Artefactos Escénicos research group, Facultad de Arte, UNICEN

  Concept collaboration and Android application development

  A walk through the El Calvario park, listened to on headphones. Sergio built the Android app that carries the piece: as the visitor moves, their GPS position triggers poetic audio recordings — in the voice of Gabriela González — at a set of predefined spots across the park, each recording bound to the place the listener is standing on.

  • A project by Gabriela González
  • Artefactos Escénicos research group, directed by Gabriela González and Paula Fernández

• Electio: Corpus/Postcorpus

  Interactive and performative installation · 2014

  FASE 6.0 — Centro Cultural Recoleta, Buenos Aires

  Face-capture device

  A collective piece questioning the electoral apparatus as a means of citizen participation. Across the five days of FASE the audience moved through the stages of an electoral game — candidates, manifestos, debates, voting. Sergio built the registration station: a device that photographed the face of the nearest visitor and sent it to a second machine projecting the latest captured faces onto a wall.

  • Collective creation by artists and students of the Especialización en Teatro de Objetos, Interactividad y Nuevos Medios — IUNA
  • Curator: Silvia Maldini
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  Still

  Interactive video installation · 2013

  FASE 5.0, "Metáforas de la supervivencia" — Centro Cultural Recoleta, Buenos Aires

  Author and maker

  Two metal plates on a wall, set far enough apart that no single viewer can touch both. Only when two people each hold a plate and touch each other does the projected video come out of pause — and the speed and direction of playback depend on how they are touching. More people can join to form a human chain. The work answered FASE 5's theme, "Metaphors of survival": the growing fear of physical contact in the age of hand sanitiser, and what it takes between strangers to make an image move again.

  • Arduino and openFrameworks
  • Shown at FASE 5.0, Sala 8 (IUNA), 8–11 November 2013

  Photos, video and credits →

Training & Teaching

• Teaching assistant (Ayudante de 1ra)

  Laboratorio de Tecnología aplicada a la Escena — Directing programme, UNA, Buenos Aires

  2013–2015 — course led by Silvia Maldini

• Diplomatura en Narrativas Transmedia y Tecnologías de la Interactividad

  Facultad de Arte, UNICEN, Tandil

  2018 — completed

• Especialización en Teatro de Objetos, Interactividad y Nuevos Medios

  UNA (formerly IUNA), Buenos Aires

  Postgraduate coursework